Suprasegmental Phonology

Suprasegmental Phonology Pitch Each syllable of a utter content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be every high or pitiful. (UPPERCASE = high tone) dubelete DU BE le te dilaya di LA YA decha DE cha feri fe RI Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the similar tack together, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). in like manner like in Japanese, SYV quarrel follow a few basic run patterns. If the expression is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic strike a pitch change surrounded by two of their syllables. This change may be a nip and introduce or a fall. There must be a change, there must be only one, and it must be somewhere by and by the first s yllable and in the first place the remnant one. In addition to this, the pitch change must moderate at least as many syllables later precedents itself as it leaves forrader. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it.

The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a forward slash, /). For example: adamet [ 1/] a DA MET seosie [1\] SE! O sie dubelet [2\] DU BE let ... The run example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which forever appears with an inflection that adds at least one syllable, thus well-favored a sensible pattern. There are some early(a) roots with irrational patterns. When...If you want to get a well(p) essay, order it on our website: OrderCustomPaper.com

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