American Film Industry Essay -- Media History, Cinema

The the Statesn film industry has become the close dominant over all early(a) field of study flicks. Millions of people immediately watch feature films all over the world but there is, and always has been one prevailing place where the films originate and this is the cinema of the united States of America better known as Hollywood. This essay will let off how Hollywood has become the dominant force over all the other national cinemas in relation to historical factors which have affected the juicy quality of the films, the economic supremacy of Hollywoods budgets and revenues, aswell as the enamor of high-profile actors and actresses. Through discussing each of these concepts and comparing the success of Hollywood to other national cinemas, in particular British cinema, we can discover how it has become the about dominant cinema in the past to this present day. Before spirit into the rise to dominance of Hollywood, we must gain an insight into the hi taradiddle o f the cinema industry. The first practices of cinema entertainment was with Thomas Edisons invention of the kinetoscope in 1896, which gave the audience the chance to view nickelodeons in fairgrounds and later on unretentive films but it wasnt until 1903 with the Great Train Robbery (directed by Edwin Sporter) The handgun shot employ in the Great Train Robbery is used in more contemporary films such as James Bond. The audiences started to fancy interest as now the cinema developed a history for the first time with the story shown through a series of several(a) camera shots. It was then that longer movies with more complex story lines and advance(a) editing were released, and cinemas possibilities as a form of securities industry as well as entertainment were then recognised. The Motion ... ...gn markets and Americas investments in them could be jeopardized by restricting distribution. The 1948 Anglo-American Film Agreement, allowed American companies to withdraw only a fraction of their huge annual profits, in exchange for the abolition of import quotas. As Balio (1976 p397) points out, the Americans held veiled advantages under the act- American companies could spend there frozen earnings in Britain to acquire story rights and buy real estate and studios. Similar terms could be nominate in the 1948 Franco-American Film Agreement, where ten million dollars of blocked profits could be used to co-produce films with French companies and gain distribution rights. It is through Government collaborations such as this that Hollywood was able to attain the status of an expansive mercenary enterprise within the U.S. and indeed outside it that it has today.